In the 16th century AD, when the theme of “The Virgin and Child” was expressed, the little Christ was often treated as a beautiful, happy child, while the Virgin was a beautifully dressed, happy, and comfortable housewife. But Michelangelo believed that gods should be different from mortals, and here he adopted a new technique. Although the little Christ is also playing, he is very serious, and seems to be ready to leave his mother at any time to accept his fate; the Virgin is melancholy. As a mother, she seems to have a foresight of the future fate of Christ, and the whole Michelangelo marble statue is solemn and solemn. The atmosphere enveloped me.
Madonna of Bruges marble statue demonstrates a new artistic spirit, which emits lasting harmony, loud and clear.