fountain of four rivers

How do you show the high-spirited and strong spiritual outlook conveyed by your perception and feelings of life? At least it seems to me that Bernini has already told us the answer. Bernini’s characters are always in intense motion. The marble seems to have lost its weight in his hands, and the clothes of the characters are always fluttering gently in the wind, giving people a sense of lightness, liveliness, and unease. Bernini’s depiction of the human body is no less than that of Michelangelo, and he is better at showing dramatic plots and the human body in intense motion. From his works, we can also see the influence of the classicist tradition on him, especially the style of the Hellenistic period, which is obviously echoed in his works. In this work, Bernini embodied the ideas of humanism. It reflects human dignity, ideals and pursuit of a better life. This is also the positive element in Bernini’s creation, and it is also different from the general Baroque art. His achievements, in one sentence, are: “He did not make a huge contribution to the city of Rome, but rebuilt Rome”, so when we talk about the city of Rome today, we should remember the name of Lorenzo Bernini, Remember that he was the founder of the city of Rome.


The characteristics of his sculptures during this period are: vivid plots, characters with rich inner activities, and strive to combine sculpture with painting. This bernini artwork sculpture depicts the moment when David is about to throw a stone at the giant Goliath. His action relationship, as well as the line of sight, extend the space. His expression was very excited. Bernini endowed the David with emotion during the bernini artwork sculpture process. Unlike Michelangelo’s work of the same name, the former’s work is dynamic, while the latter seems to be a gesture ready for action. Its twisted torso and tightly wrinkled eyebrows fully reflect the characteristics of Baroque art accumulated in the Renaissance. The dramatic moment of the pose of “David” chosen by bernini artwork sculpture suggests the distance from the enemy. The design of bernini artwork sculpture is only suitable for admiring it from a fixed angle, and the best viewing angle is exactly Assume the location of the enemy. This is the reason for the strange contagiousness that arises when people appreciate it.

David sculpture

David sculpture

Apollo and Daphne

This bernini artwork sculpture freezes the moment when Daphne leaps and Apollo catches up with her, Daphne has begun to turn into a laurel. It is such a soft and moving story. The beautiful man in the myth, the sun god Apollo, the beauty god Muse, and the laurel goddess Daphne, are vividly reproduced in marble, as if they suddenly entered the world from the mythical world. Lively, so shocking. This exciting scene is put into intense action, reflecting the passion and movement of Baroque art. The bernini artwork sculpture has a painterly effect on the human figures. The bernini artwork sculpture’s undulating curves of arms and legs, fluttering sashes, and intricately curved laurel trunks swiftly change, capturing people’s attention with fantastic power. Apollo’s clothes and Daphne’s long hair fluttered in the wind; this lightness is contrasted by the dignified strength of the figure’s body, while the asymmetrical contour lines render the dramatic situation, giving people a lightness and passion, both Lively and restless feeling.

The Ecstasy of Saint Teresa

This bernini artwork sculpture depicts Santa Teresa’s vision of seeing God in a hallucination, expressing her longing for God’s love. She was lying on the floating clouds, her wide sleeves drooping down, her eyes closed lightly, her lips slightly parted, her face pale, and in a coma she prayed for God’s love. In front of her, the little angel with a mischievous face shot a golden arrow into her chest. The bernini artwork sculpture depicts Teresa’s morbid state with hard marble, expressing the softest heart of a woman who is craving for love. The little angel represents happiness, forming a harmonious rhythm with Teresa’s lying posture, which means the collision of pain and happiness. Theresa lay there, her toes slightly raised. Immerse yourself in the climax of unparalleled excitement. Extreme longing and intoxication, extreme pain and joy, not only appeared on Theresa’s face, but also on that robe. This bernini artwork sculpture depicts the complicated inner feelings of the girl written in the notes, turning the mysterious morbid state into a woman’s obsession with love and desire under the hazy consciousness. Her coma and loss of control are typical manifestations of the girl’s thoughts of spring. Under the guise of a mysterious religious cloak, Bernini used hard stones to express the essence of a woman’s soul.

The Rape of Proserpina

The Rape of Proserpina Detail

The Rape of Proserpina

Bernini artwork sculpture content is taken from ancient Roman mythology. Pluto, the god of the underworld, fell in love with the daughter of Ceres, the goddess of grain, and he took her to the underworld and renamed her Proserpina. This sculpture of two people entwined and scuffled together can have three different interpretations when viewed from three different directions. Seen from the left, Pluto grabs and holds up Proserpina forcefully, while the girl is trying to break free from his restraints; from the front, the entire bernini artwork sculpture appears to be Pluto showing off his trophies and putting Take her into the underworld; Proserpina’s face is seen from the right with the tears she shed when she prayed to heaven, the wind blew her hair, and the three-headed dog (Cerberus) guarding the gates of hell is roar. Bernini vividly condenses the moment of plunder on this bernini artwork sculpture. From the back, Pluto’s strong muscles and the changes in his muscles when he lifts his “prey” are vividly depicted; the right side of the bernini artwork sculpture is because With force and excitement, the four fingers of Pluto’s right hand were deeply sunk into the thigh of the swept away woman, which seemed to have a strong sense of texture and strength; while the slightly opened lips of the heroine seemed to be screaming or Get help.

Sleeping Hermaphroditus

In ancient times, Sleeping Androgyny was an interactive piece of art designed to shock viewers and spark conversation in settings such as elite dinners or social gatherings. Seeing this bernini artwork sculpture from the rear, the reclining figure looks female, with a feminine hairstyle and a curvaceous “feminine” body shape. After encircling the sleeping hermaphrodite, penises were found, clearly visible from their frontal view, paired with female breasts. This bernini artwork sculpture featuring both male and female genitals will intrigue ancient audiences, sparking interesting and potentially amusing conversations – something common in ancient artworks.

Truth Unveiled by Time

“Truth Unveiled by Time” is created by Bernini artwork sculpture in marble, implying that “truth” is a naked young woman unveiled by the “Time” figure above her. Unfortunately, the figure of Time was never executed. The female figure holds the sun and represents the naked “truth” as her drapery seems to be leaving her body by the invisible hand of “time”. Bernini wanted to add the number “time” to the group, but time seemed to beat Bernini because he never completed his plan. Bernini was the chief architect of st. Peter’s Tower. Cracks appeared in the facade of berninita due to flawed foundations built decades ago, and Pope Urban ordered the towers to be destroyed. Bernini was humiliated, and this Bernini artwork sculpture was part of his response. Bernini said he wanted to add the image of “time” because he believed it would silence his critics and reveal the truth about his work.

Neptune and Triton

Neptune and Triton

Neptune and Triton

This famous Neptune and Triton bernini artwork sculptures based on the god of the sea in Greek mythology. Neptune in Neptune and Triton marble sculpture is sculpted as a muscular figure. Has a mature beard. is the authority of men. He twists his torso as he prepares to push his trident down towards the water, Neptune is draped in a cape, Neptune and Triton marble sculpture’s tousled hair and beard allude to the storm in this scene. His son was under Neptune’s body. is blowing his conch. This one is also designed to be used as a fountain, where the conch snails spew out gushing water. In Neptune and Triton marble sculpture, Nepton’s son blows a shell as a horn. Announcing the coming of the Lord of Earth and Sea, he grabbed Nepton’s legs and placed his shoulders between Neptune’s thighs.The naturalism of the characters suggests that the artist’s intention was to evoke an immediate emotional response from the audience. Neptune and Triton bernini artwork sculpture Neptune’s frowning brows give a sense of his ferocious power. His stance is immutable, solidifying his divine power. By contrast, Triton was somewhat submissive when he grabbed Neptune’s thigh. There was anxiety on his face, as if he knew that whatever Neptune ordered him to do, he should obey. His timid nature and Neptune’s dominant presence demonstrate the authenticity of human emotion and bring back the point of Bernini’s plan to convey the myth.