Famous scene combination sculpture relief  The last supper marble outdoor religious statues

The last supper marble outdoor religious statues deliberately paint an atmosphere of mourning, the disciples are in contemplation, and Judas is far away from the crowd as if his guilt has been confirmed. But Leonardo da Vinci was unique in choosing the moment when Jesus was eating when he announced that someone in the seat was going to betray him, and the disciples were shocked. The first group on the left is Bartholomew, James Jr. and Andrea talking. In the second group of The last supper marble outdoor religious statues, Peter is facing Jesus sideways. Leaning back, the puzzled John is full of despair; in the third group on the right side of The last supper marble outdoor religious statues, Thomas stretches out his finger, next to the big James and the standing Feili; finally, in the fourth group of outdoor religious statues In the middle, Matthew and Simon, gesturing, addressed Tate, who was sitting at one end of the table.

The last supper marble outdoor religious statues about the creation of oil paintings. Da Vinci’s categorical refusal to speed up the work angered the abbot and brought it to the Duke. The duke summoned the artist and asked for clarification. Da Vinci explained that some “geniuses” like him, who sometimes seem to be idle, are actually very busy because he needs to “think hard, perfect ideas” and then implement them. In any case, only the two heads of Jesus and Judas remain missing. Da Vinci admitted that unless God gave him inspiration, it would be difficult to complete the portrait of Jesus in the outdoor religious statues, and it would also take time to find a suitable portrait of a despicable traitor like Judas. However, in order to complete the work as soon as possible, he could reluctantly use the simple-minded dean’s respect to make up for it, which made the duke unable to hold back his laughter. Da Vinci’s grasp of the psychological changes in this The last supper marble outdoor religious statues is extremely expressive and complex. Before this, no painter has ever studied human psychology for the expression of characters; therefore, Leonardo da Vinci is regarded as the founder of this new concept, proving to the world that “artists can also be contemplative and creative thinkers, and philosophical thinkers. Home is no different” new concept.