Famous art Bernini unique marble status of david size

This status of David size describes the moment when David was about to throw a stone at the giant Goliath. His action relationship, as well as the line of sight, extend the space. His expression was very excited. The Statue of David size is one of Bernini’s representative works, and it also shows the characteristics of baroque art. Bernini endowed it with emotion in the sculpture process of status of David size, unlike Michelangelo’s work of the same name, the former’s work is dynamic, while the latter seems to be a gesture ready for action. The twisted torso and tightly wrinkled eyebrows of the statue of David size fully reflect the characteristics of Baroque art accumulated in the Renaissance. Michelangelo expresses David’s heroic essence, while Bernini captures the moment of David’s heroic quality.

david sculpture

The statue of david size turned around in a lunge, and straightened the sling belt, the stone was ready, gritted his teeth and strained his muscles, the next moment, the stone was about to hit the giant Goliath! Bernini is depicting the next move of Michelangelo David, the official challenge! At the same time, it seems to explain that David originally put the stone on the sling, used the rotation of his body, and threw the stone out of the sling, and hit Goliath to victory! From this work, we can see the originality of the young Bernini’s sculpture art. The dramatic moment of the posture of david size that he chose is to suggest the distance from the enemy, the statue is designed to be viewed only from a fixed angle, and the best viewing angle is the assumed position of the enemy. This is the reason for the strange contagiousness that arises when people appreciate it. In the delineation of facial expressions, the status of david size is handled almost fiercely, with the lips closed and the vertical line on the forehead forming an angry expression, while Michelangelo’s portrayal of David’s expression is for the end of the battle Confidence and inner strength. All this was not enough for the masters of the seventeenth century. Bernini’s treatment of the image of status of david size marked a shift towards a new approach. It is a bold reform of traditional shaping methods.

David  (2)

David  (1)