Abstract marble art Ghost Girl sculpture

The artistic thinking of Ghost Girl sculpture:

In the streets and alleys of the city, we can often see a lot of marble Ghost Girl sculptures. Among them, the stone sculptures of figures are the most. They have different shapes and constitute different urban landscapes. Ghost Girl sculpture has a very long history, and the craftsmanship of stone sculpture is constantly updated and progressed with the development of technology and the times. At present, the main stone carving materials in the sculpture industry are marble, granite, jade, bluestone, black stone, and other stones. In recent years, with the continuous improvement of people’s material and cultural living standards and the continuous change of aesthetic viewpoints, the application range of stone carving products is also expanding. It has a large number and a wide range of categories and is the most diverse natural stone product. Ghost Girl sculpture is also a large category of special-shaped stone products. The technical requirements and difficulty of its processing are much higher than other types of stone products. Ghost Girl sculpture is a perfect combination and embodiment of artistic thinking creation.

Ghost Girl sculpture (1)

The public aesthetic of Ghost Girl sculpture:

Because Ghost Girl sculpture is rich in colors, as if it is natural, combining dignity, luxury, atmosphere, and other characteristics into one, Ghost Girl sculpture gives people a natural and lively feeling, which is very suitable for landscaping. Urban culture is a vivid portrayal of a city, reflecting all cultural issues such as the social outlook, economic conditions, science and technology, lifestyle, philosophical views, aesthetic orientation, religious beliefs, etc. of the era in which it is located. Public art in urban culture: In a narrow sense, public art refers to sculptures, murals, decorations, gardening, signs, advertisements, landscapes, and other art placed in public spaces (such as squares, buildings, green spaces, and urban roads) form. Public art must face the public. In terms of connotation, public art has entered into a wide range of social exchanges. The social function and cultural spirit it carries, and the aesthetic taste embodied by Ghost Girl sculpture are not casual and private. It is not a partial decoration and simple intervention in daily life but guided by aesthetics, culture, and artistic viewpoints. Ghost Girl sculpture intervenes in the public’s lifestyle as a whole to continuously guide and satisfy people’s needs for artistic survival.

Ghost Girl sculpture (2)

Ghost Girl sculpture (3)