Ugolino and His Sons marble figure contemporary sculptures for the home

These contemporary sculptures for the home are Ugolino Della Guerradesca and his dead children. Ugolino was the Count of Guerardesca in the 13th century. Driven by hunger, he committed the crime of eating dead children while in captivity in Murata, Pisa. These contemporary sculptures for the home depicts Ugolino kneeling on the ground naked. Ugolino crawled over the bodies of his dying sons, his mouth open with a desperate expression. Because of this, he seems to have lost all human dignity. Looking at these contemporary sculptures for the home, Rodin made the viewer feel the humiliation and animality of Ugolino’s story. A key difference between Rodin’s contemporary sculptures for the home is the positional change of Ugolino.

The contemporary sculptures for the home are pathetic and moving, and the expressions and dynamics of the characters, as well as the psychological depictions, are meticulously detailed: Ugolino’s dark eyes, sunken cheek muscles, the movements of tearing his mouth and grabbing his hands, and the tension all over his body, contemporary sculptures for the home fully express He was devoured by remorse and despair to the point that he couldn’t get out of it. The four descendants surround him proudly, which enriches the all-round expressiveness of the works and makes the tragic atmosphere of contemporary sculptures for the home more intensely rendered. Calpo revered Michelangelo in particular, and clearly reflected Michelangelo’s influence in contemporary sculptures for the home. After him, the famous sculptor Rodin drew nourishment from him and created a unique masterpiece “Thinker”. Contemporary sculptures for the home plays a role in linking the past and the future in the history of French sculpture, and its art occupies a pivotal position.